When it comes to pop culture representation of life on the spectrum, it doesn’t get worse or more insulting than Fred Durst’s deplorable 2019 psychodrama The Fanatic.
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To promote my extremely available semi-new book The Joy of Trash, I am sharing this excerpt about Robert Evans’ fascinatingly druggy 1981 anti-drug special Get High on Yourself, which feels suspiciously like the product of people getting high on illegal drugs.
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John Travolta continues to scrape the bottom with the deathly dull 2019 racing Trading Paint.
With Shania Twain for some reason?
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In a real change of pace, John Travolta, late in his career, that was not good.
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The wildly entertaining mini-series American Crime Story: The People Versus O.J Simpson offers ten hours of tabloid bliss and represents John Travolta’s best work of the past decade.
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John Travolta’s flailing career hit another low with 1993’s Look Who’s Talking Now!, the ridiculously stupid concluding entry in the Look Who’s Talking trilogy, which traded in the talking baby gag for talking dogs and Christmas but kept the smut, innuendo and seedy desperation.
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John Travolta is an angel who fucks in Nora Ephron’s hopelessly bland supernatural romantic comedy.
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Nicolas Cage dodged a bullet when he dropped out of the lead role in a version of I Am Wrath that would have been directed by William Friedkin. John Travolta then leaped into that bullet when he signed on to replace Cage in this stinker.
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Jackie Earle Haley’s 2015 directorial debut Criminal Activities might not have much of a reputation but it’s a sleazy good time with stellar performances from Haley, John Travolta and Edi Gathegi.
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Is John Travolta’s Gotti as terrible as everyone says it? Yes. Yes it is.
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