Patrons for this site’s Patreon page voted for me to cover 2020’s clever, inventive Boss Level, an instant cult classic that asks, “What if Smoking Aces was a science-fiction movie that didn’t suck?
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Morbid curiosity led me to watch and write about 2022’s On the Line, an imaginary-seeming vehicle for a disgraced yet busy Mel Gibson as a prankish shock jock having one crazy night, in one of SEVEN movies he made that year.
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I see him as a monster but there are people—famous people—who see Mel Gibson as a profoundly good person.
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I guess it’s all good with Mel Gibson now, eh?
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This is less a conventional article than a solemn poem of thanks to God for making the D.C. Cinematic universe.
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The older I get, the less I'm able to separate artists from their art
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