Choreographer turned auteur Bob Fosse only made a handful of movies, but they all mattered, including his spectacular debut Sweet Charity and punishingly intense final film, Star 80.
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In remembrance of the late Peter Bogdanovich, we are re-running this piece on The Other Side of the Wind, Orson Welles’ towering final masterpiece and a haunting meditation on the writer-director’s complicated relationship with his protege.
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Peter O’Toole is a sly devil of an auteur and Steve Railsback is a desperate man on the run in 1980’s The Stunt Man, Richard Rush’s timeless inside showbiz masterpiece.
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Do I love Robert Evans’ The Kid Stays in the Picture in every form? You bet your sweet ass I do!
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One of you generous weirdoes paid me to experience the fascinating, pitch-black 1970 character study The Traveling Executioner, with a never-better Stacy Keach in the title role.
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Movies about television month kicks off with a fond look back at the trippy Kristin Wiig vehicle Welcome To Me, a surreal character study about a mentally ill woman who wins the lottery and uses the winnings to live out her Oprah Winfrey fantasies.
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Before 48 Hours, Lethal Weapon or Beverly Hills Cop there was Alan Arkin and James Caan in Richard Rush’s wildly influential 1974 mismatched buddy cop cult classic Freebie and the Bean, a weirdly forgotten blockbuster as problematic as it is entertaining.
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Quentin’s new one is a whole lot of movie.
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Honor the life of Monkee Peter Tork and get a little Head.
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