Bruce and Terry Square Off Against a Man Intent on Turning People Into Dinosaurs In a Batman Beyond Two-Parter That Is, Honestly, a Little Silly

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“Curse of the Kobra” stands out for several reasons. It’s notable for being a two-part episode and for coming near the end of Batman Beyond’s remarkable if too brief run. After this entry all that’s left for us to cover on this journey are the final two episodes “Countdown” and “Unmasked” and then the direct-to-video spin-off Batman Beyond: Return of the Joker. 

The final reason that “Curse of the Kobra” is distinctive is because it is about a young man with an aura of ineffable sadness and a curious, unfortunate destiny: to facilitated a new Paleolithic golden age in which dinosaurs finally take back the planet from the puny man-animals who have ruled it in their absence. 

It’s like that viral panel from Spider-Man where Spider-Man tells a bad guy that with his incredible powers he could cure Cancer and he replies, as all of us would, if we’re being honest with ourselves, that he doesn’t WANT to cure Cancer. 

No, what he wants to do is turn people into dinosaurs. These wonderful words were written by the great Elliot Kalan of The Flop House fame and they are supposed to be funny. 

The same, strangely enough, is not necessarily true of Batman Beyond’s portrayal of a teenaged weirdo who doesn’t just want to turn people into dinosaurs: he feel he MUST turn people into dinosaurs, that it is his noble, if strange, destiny. 

The high school oddball in question is Zander. He’s clipped and brusque in his speech and seems alien both in the sense of coming from another country and being an emissary from another world. 

Zander is a student at a dojo run by Kairi Tanaga. Once upon a time Kairi and Bruce studied together under the same sensei. Then Bruce pursued the whole superhero path while Kaira divides her time between teaching and selling fish in a thick accent. 

The unassuming old woman who turns out to be a formidable warrior is a hackneyed trope Batman Beyond is seemingly above. Batman Beyond seems to be setting her up as a recurring character but since the show was on its final episodes that never ultimately happened. 

Batman Beyond inhabits a world where the boundaries separating man from animals has been erased through the process of splicing. Splicing involves the DNA of a human being fusing with that of an animal to create something that is not quite human, not quite animal but rather something terrifyingly, exhilaratingly new and unknown. 

Splicing is a meditation on the bifurcated nature of science and technology, the way it makes our lives better and easier but at an incredible cost to our souls, societies and civilization. 

It’s a cyber-punk conceit, the idea that’s usually metaphorically rich but, to be brutally honest, it just kind of comes off silly here. I’m not entirely sure why but it probably has something to do with dinosaurs. 

There’s something inherently comic and absurd about dinosaurs. Dinosaurs’ mere existence seems absurd when you’re a child, like some crazy shit grown-ups make up in a desperate, doomed attempt for the world to make sense that only makes history seem kookier and harder to believe. 

Even in a futuristic comic book realm like this it’s possible to go too far. “Curse of the Kobra” crosses that blurry, invisible line by taking the concept of splicing to a comic extreme with a crazed zealot intent on making our humble little planet habitable for dinosaurs again. 

Zander has two big goals. One of which is to engineer an apocalypse for humanity that brings back dinosaurs in the biggest possible way. That, honestly, seems a little strange to me. 

Zander’s other goal is much more relatable. He understandably has a crush on Terry’s friend and sidekick Max and wants her to rule Dino World by his side. But first he wants her to become a dinosaur herself and she’s not quite ready for that level of commitment. 

The character of Max afforded Batman Beyond to have it both ways. Max allows Batman Beyond to simultaneously subvert sexist comic book and superhero cliches while simultaneously exploiting them. 

Max is admirably designed as a stereotype-shattering progressive figure: a brilliant, funny, exceedingly capable and confident black woman who is Terry’s equal, if not better than him in many ways. 

But this is a comic book show so Max is also supermodel gorgeous, does not appear to possess an ounce of cellulite, wears tight, revealing clothing and, when she’s not saving others, needs to be saved herself, not unlike some manner of damsel in distress. 

Zander has Max dress in a particularly sexy outfit that can’t help but highlight how much Batman Beyond sexualizes a character it seemed intent on not sexualizing. 

If anyone could invest the saga of a sad young man intent on killing off humanity for the sake of his dinosaur overlords with real pathos and emotion it’s Batman Beyond. Alas, this is just silly and not in a sublime manner either. 

We only have two episodes left and this sub-par two-parter leaves plenty of room for improvement. 

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